FEAR OF SCIENCE AND FEAR OF NAZISM IN THE AMERICAN GENRE FILM

Authors

  • Bojan Žikić Одељење за етнологију и антропологију, Филозофски факултет Универзитета у Београду
  • Vladimira Ilić Одељење за етнологију и антропологију, Филозофски факултет Универзитета у Београду

Keywords:

anthropology, fear, film, science, Nazism

Abstract

Fear of science features frequently as a motive of genre films. This kind of fear is most visible in science fiction and horror movies. It is culturally constructed and mediated, as well as based on the fact that certain scientific knowledge or technological innovations could be used not for the benefit of mankind, but in quite the opposite way. The characters practicing science for the disadvantage of humanity are usually individuals fitting the description of the cultural notion of a “crazy scientist”. There is no “crazy scientist” more dangerous than the practitioner of Nazi science. In films where such scientists possess advanced knowledge and produce results superior to the actual state of art in real-life science, fear of science is associated with the fear of Nazism as a political, and a social movement which is seen as a threat to Western civilization and to the human world in general. The fear of science appears, then, as a fear of Nazi science and we discuss it as presented in “Boys from Brazil” (1978) and “Nazis at the Center of the Earth”(2012).

References

Антонијевић, Драгана. 1991. Значење српских бајки. Београд: Етнографски институт САНУ, посебна издања књ. 33.

Bartlett, Myke. 2012. From Grassroots to Moon Nazis: How Fan Support Kickstarted a Ten Million Dollar Movie. Metro 173: 38–40

Bishop, Ryan. 2006. Animation/Re-animation. Theory, Culture & Society 23 (2–3): 346.

Bošković, Aleksandar. 2017. „Individualizam u antropologiji”. U Individualizam, ur. Suzana Ignjatović i Aleksandar Bošković, 4–24. Beograd: Institut društvenih nauka.

Bourke, Joanna. 2005. Fear: A Cultural History. London: Virago.

Братић, Добрила. 1985. Поновно сахрањивање убијеног ванбрачног дјетета – ритуална контрола културе над природом. Етнолошке свеске VI: 41–46.

Chozinski, Brittany Anne. 2016. Science Fiction as Critique of Science. Bulletin of Science, Technology & Society 36 (1): 58–66.

Frayling, Christopher. 2005. Mad, bad and dangerous? The scientist and the cinema. London: Reaktion Books.

Fukuyama, Francis. 2002. Our Posthuman Future: Consequences of the Biotechnology Revolution, New York: Farrar, Straus and Giroux.

Gomel, Elana. 2000. From Dr. Moreau to Dr. Mengele: The Biological Sublime. Poetics Today 21 (2): 393–421.

Gomel, Elana. 2011. Science (Fiction) and Posthuman Ethics: Redefining the Human. European Legacy 16 (3): 339–354.

Gunderman, Hannah C. 2017. Blurring the Protagonist/Antagonist Binary through a Geopolitics of Peace: Star Trek’s Cardassians, Antagonists of the Alpha Quadrant. Geographical Bulletin 58 (1): 51–62.

Hogsette, David S. 2011. Metaphysical Intersections in “Frankenstein”: Mary Shelley’s Theistic Investigation of Scientific Materialism and Transgressive Autonomy. Christianity & Literature 60 (4): 531–559.

Ilić, Vladimira. 2012. Film kao izvor znanja: primer proizvodnje straha od stranaca u filmu „Ponoćni ekspres”. Antropologija 12 (3): 115–134.

Ilić, Vladimira. 2013. Film kao izvor znanja: primer proizvodnje straha od terorista u filmovima „Opsada” i „Predaja”. Antropologija 13 (3):143–162.

Jurecic, Ann, Daniel Marchalik. 2017. Dr Frankenstein’s bioethical experiment. Lancet 389 (10088): 2465.

Kitzinger, Jenny. 2010. Questioning the sci-fi alibi: a critique of how “science fiction fears” are used to explain away public concerns about risk. Journal of Risk Research 13 (1): 73–86.

Kovačević, Ivan, Vladimira Ilić. 2016. Antropologija filma u Srbiji. Etnoantropološki problemi 11 (1): 217–239.

Kurlander, Eric. 2012. Hitler’s Monsters: The Occult Roots of Nazism and the Emergence of the Nazi ‘Supernatural Imaginary. German History 30 (4): 528–549.

Kurlander, Eric. 2015. The Nazi Magicians’ Controversy: Enlightenment, “Border Science,” and Occultism in the Third Reich. Central European History 48 (4): 498–522.

Lévi-Strauss, Claude. 1988. Strukturalna antropologija 2, Zagreb: Školska knjiga.

MacFarlane, Kit. 2012. Stooges from Space: Iron Sky and the Pursuit of Lowbrow Propaganda. Metro 173: 34–37

Miller, Cynthia J, A. Bowdoin Van Riper, Loren P. Q Baybrook. 2009. Science and technology confront reality. Film & History 40 (1): 4–6.

Miller, Robert D. 2011. Solomon the Trickster. Biblical Interpretation 19 (4–5): 496–504.

Müller-Hill, Bruno. 2001. Genetics of susceptibility to tuberculosis: Mengele’s experiments in Auschwitz. Nature Reviews Genetics 2 (8): 631–634.

Orr, Christopher. 2016. Sympathy for the Robot. Atlantic 318 (3): 38–40.

Pels, Peter. 2017. Enchanted reason: Science fiction, print capitalism and the magic of anthropology. Anthropology Today 33 (2): 10–14.

Prop, Vladimir. 1982. Morfologija bajke. Beograd: Prosveta/ XX vek.

Radkowska-Walkowicz, Magdalena. 2012. The creation of “monsters”: the discourse of opposition to in vitro fertilization in Poland. Reproductive Health Matters 20 (40): 30–37.

Schummer, Joachim. 2006. Historical Roots of the “Mad Scientist”: Chemists in Nineteenth-century Literature. AMBIX 53 (2): 99–127.

Seed, David. 1999. American Science Fiction and the Cold War, Chicago: Fitzroy Dearborn.

Sharp, Lesley A. 2000. The Commodification of the Body and its Parts, Annual Review of Anthropology 29, 287–328.

Stiles, Anne. 2009. Literature in Mind: H. G. Wells and the Evolution of the Mad Scientist. Journal of the History of Ideas 70 (2): 313–339.

Thompson, Stacy S.T. 2005. Tentative Utopias. Psychoanalysis, Culture & Society 10 (3): 269–285.

Toumey, Christopher P. 1992. The moral character of mad scientists: A cultural critique of Science. Science, Technology & Human Values 17 (4): 411–437.

Trushell, John M. 2004. American Dreams of Mutants: The X-Men—‘‘Pulp’’ Fiction, Science Fiction, and Superheroes. The Journal of Popular Culture 38 (1): 149–168.

Vizzini, Bryan E. 2009. Cold War Fears, Cold War Passions: Conservatives And Liberals Square Off in 1950s Science Fiction. Quarterly Review of Film & Video 26 (1): 28–39

Winthrop-Young, Geoffrey. 2006. The Third Reich in Alternate History: Aspects of a Genre-Specific Depiction of Nazi Culture. Journal of Popular Culture 39 (5): 878–896.

Wolf-Meyer, Matthew, Karen-Sue Taussig. 2010. Extremities: Thresholds of Human Embodiment. Medical Anthropology 29 (2): 113–128.

Žikić, Bojan. 2010a. Antropologija i žanr: naučna fantastika – komunikacija identiteta, Etnoantropološki problemi n.s. god. 5, sv. 1, 2010, 17–34

Žikić, Bojan. 2010b. „Mi smo Ja, a oni su Roj. Individualni i kolektivni identitet kao relaciono svojstvo ljudi i tuđina u naučnoj fantastici”. U Naš svet, drugi svetovi. Antropologija, naučna fantastika i kulturni identiteti, ur. Bojan Žikić, 191–218. Beograd: Odeljenje za etnologiju i antropologiju Filozofskog fakulteta i Srpski genealoški centar.

Жикић, Бојан. 2012. Популарна култура: надкултурна комуникација. Етноантрополошки проблеми 7 (2): 315–341.

Жикић, Бојан. 2016. Ужаснутост и опчињеност вечитим телом: мумија у раној хорор књижевности, Етноантрополошки проблеми 11 (2): 373–392.

Жикић, Бојан. 2017. Песимистички приказ природе људског постојања у филму „Западни свет”: накнадно мизантрополошко тумачење. Етноантрополошки проблеми 12 (2): 415–435.

Downloads

Published

2018-12-30

How to Cite

Žikić, B., & Ilić, V. (2018). FEAR OF SCIENCE AND FEAR OF NAZISM IN THE AMERICAN GENRE FILM. Anthropology, 18(3), 191–213. Retrieved from https://antropologija.com/index.php/an/article/view/104

Issue

Section

Original scientific paper

Most read articles by the same author(s)

1 2 3 > >>