KONSTRUKCIJA DRUGOSTI I SOCIJALNO-ONTOLOŠKIH GRANICA U FILMU AVATAR: PUT VODE
Ključne reči:
Mi : Drugi, antropologija filma, naučna fantastika, AvatarApstrakt
U radu se analizira film Avatar: put vode (2022) Džejmsa Kamerona kroz trostepeni model etnografije filma – produkciju, sadržaj i recepciju – s fokusom na način na koji se u njemu konstruiše Drugost i povlače socijalno-ontološke granice između grupa. Analiza pokazuje da narativ ovog filma, uprkos antikolonijalnim i antikapitalističkim pretenzijama produkcijskog tima, a slično kao i u Avataru iz 2009. godine, počiva na reprodukovanju obrasca dihotomne podele na Nas i Druge koja se, iako je prisutna kroz čitavu istoriju ljudskih društava, u filmu održava kroz ideološke i strukturne modele uspostavljene u kolonijalizmu. Jedina transformacija u (neo)kolonijalnoj reprezentaciji Drugosti jeste njena neoliberalizacija, gde se kolektivni, sistemski i društveni problemi predstavljaju kao partikularni, odnosno, u ovom slučaju, premeštaju iz političke dimenzije u porodični mikrokosmos.
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Filmografija
Avatar: The Way of Water. 2022. Directed by James Cameron. Santa Monica, CA: Lightstorm Entertainment.

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