Molitva za franjevca u jednoj pravoslavnoj crkvi: Sećanje na protomajstora u natpisu manastira Dečana

Autori

Ključne reči:

oblikovanje sećanja, molitva, konfesionalne razlike, fra Vita, manastir Dečani

Apstrakt

Ovaj rad posvećen je istraživanju oblikovanja sećanja na glavnog graditelja katolikona manastira Dečana, čije ime je sačuvano u sklopu natpisa južnog portala. Bez obzira na konfesionalne razlike, fra Viti, franjevacu iz Kotora, bilo je dozvoljeno da zabeleži svoje ime na (pravoslavnoj) crkvi. Štaviše, dopušteno mu je da to učini odmah uz imena ktitora, kralja Stefana Uroša III i njegovog sina Stefana Dušana. Putem sagledavanja natpisa u kontekstu pobožnih praksi, konfesionalnih razlika i političkih zbivanja, kao i analizom predstave u luneti južnog portala, rad ima za cilj da pokaže njegov performativni karakter u službi očuvanja memorije.

Reference

Baert, Barbara. 2012. Caput Joannis in Disco [Essay on a Man’s Head]. Leiden: Brill.

Brooks, Sarah T. 2002. “Commemoration of the Dead: Late Byzantine Tomb Decoration (Mid-Thirteenth to Mid-Fifteenth Centuries).” PhD. diss., New York University.

Brown, Peter. 2006. “Chrotope: Theodore of Sykeon and His Sacred Landscape.” In Hierotopy. Creation of Sacred Spaces in Byzantium and Medieval Russia, edited by Alexei Lidov, 117–125. Moscow: Progress-tradition.

Carr, Annemarie Weyl. 1995. “Byzantines and Italians on Cyprus: Images from Art.” Dumbarton Oaks Papers 49: 339–357.

Carr, Annemarie Weyl. 2007. “The Face Relics of John the Baptist in Byzantium and the West.” Gesta 46 (2): 159–178.

Cvetković, Branislav. 2010. “Franciscans and Medieval Serbia: Evidence of Art.” IKON 3: 247–260.

Derbes, Anne and Neff Amy. 2004. “Italy, the Mendicant Orders, and the Byzantine Sphere.” In Byzantium: Faith and Power (1261–1557), edited by Helen C. Evans, 448–461. New York: The Metropolitan Museum of Art.

Dimitropoulou, Vassiliki. 2010. “Giving Gifts to God: Aspects of Patronage in Byzantine Art.” In A Companion to Byzantium, edited by Liz James, 161–170. Chichester: Wiley-Blackwell.

Drpić, Ivan. 2013. “Painter as Scribe: Artistic Identity and the Arts of Graphē in Late Byzantium.” Word & Image 29 (3): 334–353.

Đorđević, Jakov. 2017. “Made in the skull’s likeness: of transi tombs, identity and memento mori.” Journal of Art Historiography 17: 1–19.

Đorđević, Jakov. 2018. “Macabre Goes East: A Peculiar Verse among Funerary Inscriptions of the Orthodox Christians in the Late Medieval Balkans.” In Migrations in Visual Art, edited by Jelena Erdeljan, Tine Germ and Marina Vicelja, 19–32. Belgrade: Faculty of Philosophy, University of Belgrade.

Đurić, Vojislav J., Sima Ćirković and Vojislav Korać. 1990. Pećka patrijaršija, Belgrade: Jugoslovenska revija.

Erdeljan, Jelena. 2011. “Studenica. An identity in marble.” Zograf 35: 93–100.

Erdeljan, Jelena. 2014. “Strategies of Constructing Jerusalem in Medieval Serbia.” In Visual Constructs of Jerusalem, edited by Bianca Kühnel, Galit Noga-Banai and Hanna Vorholt, 231–240. Turnhout: Brepols.

Erdeljan, Jelena. 2016. “Two inscriptions from the church of Sts Sergius and Bacchus near Shkodër and the question of text and image as markers of identity in medieval Serbia.” In Texts/Inscriptions/Images – Art Readings, Vol. 1, edited by Emmanuel Moutafov and Jelena Erdeljan, 129–143. Sofia: Institute of Art Studies.

Erdeljan, Jelena. 2017. Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa. Leiden: Brill.

Ferjančić Božidar and Sima Ćirković. 2005. Stefan Dušan kralj i car: 1331–1355. Belgrade: Zavod za udžbenike i nastavna sredstva.

Finucane, Ronald C. 1981. “Sacred Corpse, Profane Carrion: Social Ideals and Death Rituals in the later Middle Ages.” In Mirrors of Mortality: Studies in the Social History of Death, edited by Joachim Whaley, 40–60. London: Europa.

Geary, Patrick J. 1997. Living with the Dead in Middle Ages. Ithaca: Cornell University Press.

Gerstel, Sharon E. J. 2000. “Art and Identity in the Medieval Morea.” In The Crusades from the Perspective of Byzantium and the Muslim World, edited by Angeliki E. Laiou and Roy P. Mottahedeh, 263–285. Washington, D.C.: Dumbarton Oaks.

Gerstel, Sharon E. J. 2011. “The Chora Parekklesion, the Hope for a Peaceful Afterlife, and Monastic Devotional Practices.” In The Kariye Camii Reconsidered, edited by Holger A Klein, Robert G Ousterhout and Brigitte Pitarakis, 129–145. Istanbul: İstanbul Araştırmaları Enstitüsü.

Gray, Madeleine. 2011. “Images of Words: Iconographies of Text and the Construction of Sacred Space in Medieval Church Wall Painting.” In Sacred text, sacred space: architectural, spiritual and literary convergences in England and Wales, edited by Joseph Sterrett and Peter Thomas, 15–34. Leiden: Brill.

Grigorije Camblak. 1989. “Žitije Stefana Dečanskog.” In Grigorije Camblak: Književni rad u Srbiji, edited by Damnjan Petrović and translated by Lazar Mirković et al., 49–82. Belgrade: Prosveta-Srpska književna zadruga.

Grković, Milica. 2004. The First Charter of the Dečani Monastery. Belgrade: Mnemosyne.

Ivison, Eric A. 2000. “ ‘Supplied for the journey to heaven’: a moment of West-East cultural exchange: cerantic chalices front Byzantine graves.” Byzantine and Modern Greek Studies 24 (1): 147–193.

Jović, Rastko. 2015. “Kraljica Jelena: svetiteljstvo Istoka i Zapada.” In Jelena – kraljica, monahinja svetiteljka, edited by Katarina Mitrović, 171–182. Brvenik: Manastir Gradac.

Kalavrezou, Ioli. 1997. “Helping Hands for the Empire: Imperial Ceremonies and the cult of Relics at the Byzantine Court.” In Byzantine Court Culture from 829 to 1204, edited by Henry Maguire, 53–79. Washington, D.C.: Dumbarton Oaks.

Kalopissi-Verti, Sophia. 1994. “Painters in Late Byzantine Society: The Evidence of Church Inscriptions.” Cahiers Archéologiques 44: 139–158.

Kalopissi-Verti, Sophia. 1996. “Aspects of Patronage in Fourteenth-Century Byzantium Regions under Serbian and Latin rule.” In Byzantium and Serbia in the 14th Century, Eutychia Papadopoulou and Dora Dialete, 363–383. Athens: Ethniko Hidryma Ereunon.

Kandić, Olivera. 1998–1999. “Fonts for the Blessing of the Waters in Serbian Medieval Churches.” Zograf 27: 61–77.

„Kralj Stefan Uroš Treći.” 1989. In Danilovi nastavljači, edited by Gordon Mak Danijel and translated by Lazar Mirković, 27–65. Belgrade: Prosveta-Srpska književna zadruga.

Le Goff, Jacques. 1984. The Birth of Purgatory. Chicago: University of Chicago Press.

Maglovski, Janko. 1989. „Dečanska skulptura – program i smisao.” In Dečani i vizantijska umetnost sredinom XIV veka, edited by Vojislav J. Đurić, 193–223. Belgrade: Serbian Academy of Sciences and Arts.

Marinis, Vasileios. 2017. Death and the Afterlife in Byzantium: The Fate of the Soul in Theology, Literature, and Art. New York: Cambridge University Press.

Marjanović-Dušanić, Smilja. 1997. Vladarska ideologija Nemanjića: diplomatička studija. Belgrade: Clio.

Marjanović-Dušanić, Smilja. 2007. Sveti kralj: kult Stefana Dečanskog. Belgrade: Clio.

Marković, Biljana, ed. 1986. Dušanov zakonik. Belgrade: Prosveta.

Mirković, Lazar. 1983. Pravoslavna Liturgika ili Nauka o bogosluženju pravoslavne istočne Crkve. Drugi, poseban deo (Svete tajne i molitvoslovlja). Belgrade: Sveti arhijerejski sinod Srpske pravoslavne crkve.

Mitchell, W. J. T. 1996. “What Do Pictures “Really” Want?” October 77: 71–82.

Morris, Rosemary. 1984. “The Byzantine Aristocracy and the Monasteries.” In The Byzantine Aristocracy, IX to XIII Centuries, edited by Michael Angold, 112–137. Oxford: British Archaeological Reports.

Neff, Amy. 1999. “Byzantium Westernized, Byzantium Marginalized: Two Icons in the Supplicationes variae.” Gesta 38 (1): 81–102.

Ousterhout, Robert. 1999. Master Builders of Byzantium. Princeton: Princeton University Press.

Panić, Draga and Gordana Babić. 1975. Bogorodica Ljeviška. Belgrade: Srpska književna zadruga.

Pantelić, Bratislav. 2002. The architecture of Dečani and the role of Archbishop Danilo II. Wiesbaden: Reichert.

Papalexandrou, Amy. 2001. “Text in context: eloquent monuments and the Byzantine beholder.” Word & Image 17 (3): 259–283.

Papalexandrou, Amy. 2007. “Echoes of orality in the monumental inscriptions of Byzantium.” In Art and text in Byzantine culture, edited by Liz James, 161–187. Cambridge: Cambridge University Press.

Papalexandrou, Amy. 2010. “The Memory Culture of Byzantium.” In A Companion to Byzantium, edited by Liz James, 108–122. Chichester: Wiley-Blackwell.

Pentcheva, Bissera V. 2000. “Rhetorical Images of the Virgin: The Icon of the ‘Usual Miracle’ at the Blachernai.” RES: Anthropology and Aesthetics 38: 34–55.

Rhoby, Andreas. 2011. “Interactive Inscriptions: Byzantine Works of Art and their Beholders.” In Spatial Icons. Performativity in Byzantium and Medieval Russia, edited by Alexei Lidov, 317–333. Moscow: Indrik.

Šarkić, Srđan. 2005. “O primeni Dušanovog zakonika prema podacima Janjinske hronike.” In Zakonik cara Stefana Dušana, edited Sima Ćirković and Kosta Čavoški, 81–89. Belgrade: Srpska akademija nauka i umetnosti.

Ševčenko, Nancy. 2015. “Written Voices: The Spoken Word in Middle Byzantine Monumental Painting.” In Resounding Images: Medieval Intersections of Art, Music, and Sound, edited by Susan Boynton and Diane J. Reilly, 153–166. Turnhout: Brepols.

Todić, Branislav and Milka Čanak-Medić. 2005. Manastir Dečani. Belgrade: Muzej u Prištini.

Tsougarakis, Nickiphoros. 2016. “Papal Policy and the Latin Religious Orders in Frankish Greece.” In Proceedings of the 23rd International Congress of Byzantine Studies, Belgrade, 22–27 August 2016. Round Tables, edited by Bojana Krsmanović and Ljubomir Maksimović, 641–645. Belgrade: The Serbian National Committee of AIEB.

Živković, Valentina. 2010. Religioznost i umetnost u Kotoru: XIV-XVI vek. Belgrade: Balkanološki institut SANU.

##submission.downloads##

Objavljeno

2024-02-03

Broj časopisa

Sekcija

Original scientific paper